This Wednesday at 7.30pm I’ll be doing a reading and answering some questions at Review Bookshop, 131 Bellenden Road, Peckham. This has only just occurred to me.
http://www.peckhamliteraryfestival.co.uk/
I’ve done this sort of thing before, and I’m starting to feel alright about it. Taking part in the Melbourne Writers Festival in August pretty much flogged out all of my worst nightmares. We had to wear Madonna style headsets instead of using a microphone, and I had a cold. I got a massive tickle in my throat, which I couldn’t clear because of the headset which made the room vibrate when I coughed, so I had to sit there with my eyes streaming, looking to the audience like the pressure was just too much for me.
I also managed to turn an elderly audience against me in answering the question ‘Would you ever write about your English family?’ by saying I’d have to wait until my Grandmother died. It was sort of a joke, but it was met with a sharp communal inhalation and a hard and beady look from the white haired lady who had been nodding along with everything I said up until then.
So what else could go wrong? The worst would be if no one came, and I had to fill an hour by just prattling on to my parents. I’ve also woken up with a cold this morning, so I might be reading in an awful adenoidal voice, and hacking into a handkerchief. Or I might have a terrifying nosebleed like David Frost did that time:
My main problem though, which is the same one I face every time I do something like this, is how to start. I have become no better at describing what my book is about, in this past year. I sometimes feel like I want to start flapping my arms and just say something like ‘it’s all about stuff and things and that. And lots of it.’ A cab driver in New York asked me what it was about, and I told him ‘It’s a thriller about men not speaking to each other.’
It’s hard this bit, I’ve spoken to other authors who say they have the same problem, you’re so close to the story , it becomes about how a character ties his shoes, how beer tastes, what a headache feels like. What you want to be able to say at the beginning of an event like the one on Wednesday is, ‘I’ve written a book about three men living together in a caravan in Uzbekistan, and how they feel about organic farming’. Instead, on Wednesday, I’ll be stammering and trying to make sense of a list of stuff that will be written in tiny writing on the cover of my reading copy of the book. It will say: Australia, 1950s, Sydney, East Coast, men, landscape, Vietnam, conscription, PTSD and cake decorating.
Any worst ever public speaking stories? Things to watch out for? Even better, has anyone who has read my book got a succinct one-liner on what the book’s about? If you have there’s a stubby cooler in it for you.
Hope to see you there.




Hey Evie,
Very sorry I’m not in town on Wed or I would have definitely come. Worst ever public appearance? Well, it doesn’t get worse than only three people turning up, does it? (Happened to me, not on my first novel, either).
Lots of love and sour chews
Phil
Oh my! I’ve never seen that Frost-bleed thing before – it looks horrific. Especially if you watch it with the sound down, for some reason…
As a teenager I once had a nosebleed on a boy’s face.I was on top of him, and we were both being dead romantic, snogging with our eyes closed, but when I opened mine his lovely face was covered in my nose-blood.
He was surprisingly nice about it for a 15-year-old boy.
I think your book is about the familiar , safe and personal changing into the insidious, dangerous and repulsive, and the question of whether this change takes place in the world or in our heads. I think shit, sugar, people, the sea, the shack, and the earth all change in the book. you could start the talk with “My book is about changeable shit”.
I can only give my opinion on what I felt when reading your book, obviously what you think it is about may be different!! But… apart from the obvious what is said and what is not said…
It was about the darkness that lies within everyone and how to deal with it. That when we stop coping with it, it becomes tangible and frightening; that when we accept it, we find peace…